"The speed and density with which the show tells jokes in its second season is astounding, an ideal synthesis of the freewheeling improvisation of Nick Kroll and the gag-a-second rhythms of Andrew Goldberg’s previous cartoon gig, Family Guy," says Erik Adams. "Unlike the Griffins of Quahog, however, the characters of Big Mouth don’t exist solely as vessels for punchlines and pop culture allusions. In their first season, Kroll and Goldberg (who created Big Mouth with Jennifer Flackett and Mark Levin) built a surprisingly warm, unabashedly filthy show around a cast of middle schoolers and the manifestations of their adolescence—one that also preferred its laughs hard, rapid, and any other descriptor readily bent into double entendre. It’s important to keep that 'unabashedly' part in mind when approaching the series’ next 10 episodes. Having firmly established that growth spurts, unsightly hairs, and mood swings are a natural, universal fact of life (and therefore a subject anyone can find funny, depending on their tolerance for cartoon dicks), season two of Big Mouth sets out to explore the feelings of humiliation that often follow in their wake."
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TOPICS: Big Mouth, Netflix, Jenny Slate, Nick Kroll