The decision to name Bran king "felt shortsighted and regressive," says Aja Romano. "Part of the frustration stems from something beyond the world of Game of Thrones: By being named king, Bran Stark is cemented as a perfect analogue for a certain type of protector of geek culture; specifically, fans (often male) who are rigidly deferent to the original lore of a story, often alienating other (typically marginalized) fans who support a more flexible approach. Within our real-world context, Bran’s ascension to rulership feels like a myopic, self-aggrandizing celebration of curatorial fandom, or the specific way in which many fans worship canon — in this case, Game of Thrones’ source material, the Song of Ice and Fire book series by George R.R. Martin. Ending the show with Bran in charge of Westeros codifies a male-dominated version of geek culture that reflects mainstream perceptions about fandom and aligns generally with the show’s frequent misogyny. Moreover, it’s a choice that’s ultimately bigger than Bran: Whether it was intentional or not, when Game of Thrones made room for a reading of Bran as a stand-in for male geekdom, it unwittingly revealed how flawed this type of fandom is. And the flaws within this oppressive, holier-than-thou type of fandom can also help explain just why Game of Thrones was such a disappointment to many in its final two seasons."
TOPICS: Game of Thrones, HBO, Isaac Hempstead Wright