The fantasy drama that dropped its sixth and final season on Netflix on Friday is a "multilayered, consistently diverting treat, especially once you get past the first five episodes of the debut season—which are heavy on procedural fare, and lighter on the juicy mythology that helped the drama, by midway through its first season, ascend to a higher plane," says Maureen Ryan. "As the show found its groove, Lucifer’s deft melding of imaginative character arcs, its compassionate exploration of the abandonment, rejection and insecurity most of its characters feel, and its frisky, good-hearted humor made it one of a kind. It stands out even more in a TV landscape that’s increasingly full of dramas that take themselves seriously while under-delivering on numerous crucial fronts. Lucifer is also, under its witty exterior, quite respectful not just of faith, but of the difficulty of overcoming deep psychic wounds. (Lucifer, naturally, sees a therapist.) If nothing else, Lucifer provides an object lesson in how to take a TV narrative initially centered on an entitled white man with serious daddy issues, broaden it in dozens of smart ways, and make it not just sex-positive, energetic, inclusive and smart, but surprisingly deep and humane. Over the years, the drama and its ensemble were so quietly good at what they did that, outside of the passionate fandom that helped rescue it from that shocking Fox cancellation, too few people noticed Lucifer had evolved into one of the most enjoyable and consistently excellent shows on television."
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TOPICS: Lucifer, Netflix, Ildy Modrovich, Joe Henderson, Lauren German, Lesley-Ann Brandt, Rachael Harris, Tom Ellis