Super Bowl LIII in Atlanta was a chance for the NFL to showcase some of the "rich hip-hop history and hit-making that have become synonymous with the ATL for the past 25 years," says Stereo Williams. "The NFL still seems a bit skittish about presenting rappers on its biggest stage," he adds. "A peripheral factor in the fallout from 2004’s Janet Jackson 'Nipplegate' scandal was that some were offended by the performances of Nelly, Kid Rock and Diddy at that show. Crotch-grabs, strippers-as-cheerleaders, some kind of Kid Rock American flag poncho—it all fell into the mix that was the pearl-clutching of network censors and pontificating politicians. Jackson felt the brunt of that backlash, but it also lingered over the Super Bowl for years. That’s why we mostly got a parade of granddad-rock halftime shows (The Who, Bruce Springsteen, Tom Petty, The Rolling Stones, Paul McCartney) for almost a decade. Some of these artists were just as brazen and 'dangerous' in their younger days; but by the early 2000s, the classic rock guys had become the 'safe' alternative to these wild and crazy rappers." While things began to loosen up a bit in the 2010s when Madonna was joined by Nicki Minaj and M.I.A., it feels like the NFL has an aversion to rappers as headliners on its biggest stage. "The Maroon 5 choice feels like a 'safe' one—much like Justin Timberlake did this year," says Williams. "These artists have big hits, like Maroon 5’s Cardi B-assisted 'Girls Like You,' but it doesn’t feel as though they’re the defining pop stars of the moment. They also don’t have a “legends in the game” reputation. They just seem like white guys with big hits and just enough blandness to not terrify the more conservative corners of NFL viewership."
ALSO:
TOPICS: Maroon 5, CBS, Super Bowl LIII, NFL