On the first Sunday night of NBC's Tokyo Olympics coverage, the network opted to squish Alexis Sablone, the only American skater who qualified in the first-ever women’s street skateboarding Olympic final, to a muted tiny split-screen box while a loud Geico ad blasted on the larger box. "To be fair, Sablone was so far behind Nishiya and the other medalists that even a flawless performance wouldn’t have done much to get her on the podium," says Judy Berman. "Still, the disrespect toward an American Olympian rankled me (and no small number of other viewers), especially at the end of what had already been an extremely confusing first weekend of coverage from NBC. From Twitter and Reddit to Slack chats and real-life living rooms, everyone seemed to be expressing frustration with what we were seeing—or not seeing—out of Tokyo. Those gripes have, if anything, ramped up over the past week. Now, complaining about TV coverage of the Olympics is such a time-honored tradition that it might as well be a medal sport unto itself. But this year’s grumbling has been some of the loudest in recent memory. It’s easy to blame NBC—whose abysmal early ratings had plunged even lower by the end of last week—for this disaster. Is that fair, though? Could these pandemic games ever have been anything but anticlimactic?" While the pandemic has been a big factor in NBC's disastrous Olympics coverage, Berman says NBC's focus on corporate profits were always going to make its coverage unpopular. "In other words, some of viewers’ greatest frustrations surrounding the Tokyo Olympics are rooted in the challenges of making a $7.75 billion Olympics coverage deal that NBC signed in 2014—about a century ago in streaming-wars time—as lucrative as possible for NBC Universal, cable companies and advertisers," says Berman. "Certainly, that goes a long way towards explaining why a Geico ad took precedence over an American skateboarder’s last act in Tokyo. NBC deserves any blowback it gets for disrespecting Sablone and for many other baffling individual choices. (See also: well-founded exasperation from Greg Braxton at the L.A. Times over seeing Naomi Osaka shunted to cable while NBC aired rugby. ('The most famous female athlete in the world was being treated almost as a sideshow on a small stage,' Braxton writes, 'when she should have been in the center ring.') Ultimately, though, the impediment to better Olympics coverage is a larger system that entrusts NBCU and other bottom-line-driven media megacorps to deliver the world’s most important news, cultural and, yes, sports events to a public that deserves to know about them. Never is the need for a powerful, well-funded public broadcaster on the level of the BBC in the U.S. more apparent than it is during the Olympics. This might sound like a utopian solution, and maybe it is at this late, confusing stage in the life of American TV. But the Olympics are, in theory if not in practice, a utopian tradition. Pandemic or no pandemic, time difference or no time difference, streaming wars or streaming detente—coverage of the games that prioritizes corporate profits over service to viewers is always going to fall short."
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TOPICS: Summer Olympics, NBC, Simone Biles, Taylor Swift, NBC Sports, NBC Universal, Ratings, Sound Design